Review: ‘The First Omen’ Is The Perfect Horror Prequel
The First Omen bucks the trend of lackluster legacy horror continuations, serving up a righteously angry, terrifying treat for audiences.
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Author: James Preston Poole
‘The Fall Guy’ Doubles As Great Rom-Com and Love Letter To Stunt Performers
‘The Fall Guy’ is a stunt-filled, romantic, and funny movie that celebrates the industry while giving the masses a fun time.
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Review: Gothic Romance and Dark Comedy Dominate ‘Lisa Frankenstein’
Diablo Cody has been in the screenwriting game a long time. Her debut, Juno, won her the Academy Award for Best
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Review: ‘Love Me’ Is An Inventive Short Film In A Feature’s Body
‘Love Me’ has an inspired concept and two great performances, but neither are enough to save its inherent messiness.
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‘Hit Man’ Review: The Perfect Rom-Com Crowd Pleaser
The art of the crowd pleaser is a delicate craft. Trying to make something that will connect with audiences on
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‘Freaky Tales’ Review: Genre Extravaganza Pays Tribute To 1987 Oakland
When an independent director is swallowed up into the blockbuster machine, there’s usually two paths for them. Either they stay
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‘The Beekeeper’ Review: Honey-Sweet Actioner Delivers
The January movie dead zone doesn’t appear so dead. Night Swim‘s already made its budget back, Mean Girls is getting a mostly positive
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‘Night Swim’ Review: A Shallow January Horror
Few months in the year are as scary to moviegoers as January. After the rush of awards season and holiday
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‘Rebel Moon’ Roundtable Interview with VFX Supervisor Marcus Taormina
Rebel Moon – Part 1: A Child of Fire is one of the year’s most anticipated projects. Writer-director Zack Snyder is
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Review: ‘Aquaman and the Lost Kingdom’ Ends The DCEU In Disaster
Aquaman and the Lost Kingdom begins promisingly enough. The DC and Warner Bros. logos are given a crusty, underwater makeover that
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‘Rebel Moon – Part 1: A Child of Fire’ Review: Sky-High Potential In A Messy Package
Today, the first installment of Zack Snyder’s Rebel Moon releases on Netflix. Saying the name Zack Snyder in and of
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Review: Ridley Scott’s Comedy-Epic Hybrid ‘Napoleon’ Is (Mostly) A Triumph
At age 85, Sir Ridley Scott is showing no signs of slowing down. The legendary, and often polarizing, auteur works
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